Photo by Joanna Maclennan
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The French Riviera has drawn creatives from all corners of the world for more than a century.
The Mediterranean Sea, lined with moored boats and bathers, surrounded by lush, mountainous terrain asks visitors to appreciate the color and texture of the region.
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Artists such as Pablo Picasso, Yves Klein, Pierre Bonnard, Henri Matisse, Raoul Dufy, and Marc Chagall created master collections which celebrate and encapsulate life on the Riviera. Their respective artistic visions have changed the Riviera and modern art as we know it – and this history calls us back time and again for new bouts of inspiration.
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Here are some of their most iconic paintings that illustrate the colorful energy of the Riviera.Â
Pablo Picasso, Mediterranean Landscape, 1952, oil on panel, 81 x 125 cm © wikipedia.org
Arguably one of the most prolific painters along the Riviera in the 20th century, Picasso added color to the local culture and uplifted the economy. His work included pottery and public murals, but one of his most staggering depictions of the Riviera was produced in 1952, when the artist created Mediterranean Landscape. The scene sheds light on the common architecture and colors of the CĂ´te d’Azur with Picasso’s signature Cubic style.Â
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His work from this period reminds us to move slowly – to enjoy boats bobbing on the water and to admire the way palm fronds create shadows on the Promenade de Anglais.
Yves Klein, IKB 191, 1962, Dry pigment & synthetic resin on canvas, 65 x 49 cm © wikipedia.org
Born in Nice, Yves Klein was no stranger to the pigment-rich horizon. While he didn’t directly depict the Riviera in his collections, it’s said that Klein drew inspiration from its sky. His oeuvre is perhaps best known for his signature color, the Bleu Klein (Klein Blue).
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Returning to Nice on holiday in 1956, he began developing the ultramarine color which is now an iconic mainstay in modern art. This is evidenced by his large tableaux (paintings) covered uniquely in this color, such as in IKB 191, painted in 1962.
Pierre Bonnard, The Riviera, 1923 Huile sur toile, 31 x 30 cm © The Phillips Collection
Pierre Bonnard famously struggled to find inspiration on the CĂ´te d’Azur. In the early part of the 20th century, he found it difficult to appreciate the color, claiming that there wasn’t any. By 1923, he brought The Riviera to life, mastering the contours and shadows of the landscape.Â
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This piece contrasts cornflower blues against soft yellows and greens, emphasizing shadows and depth in the horizon. The mountains in the distance allow us to feel almost as if we’re in La Cannet, overlooking Cannes. This vista was particularly influential for Bonnard’s work, as it informed many of his paintings while visiting, and later living, on the French Riviera.Â
Henri Matisse, Luxe, Calme et VoluptĂ©, 1904 Huile sur toile, 98 x 118 cm © wikiart.orgÂ
Considered a foundational work in the fauvist style, Luxe, Calme et VoluptĂ©, was created by Matisse in Saint Tropez in the early years of his career. Realized with the guidance of his peers and mentors, it was the first time the artist would employ divisionism in his work. This style, used throughout his memorable compositions, is created entirely with delicate pointed brush strokes, constructing a larger scene.Â
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The work depicts the way Matisse may have felt about his time on the Riviera in the early 20th century. The title, translating to Luxury, Calm and Pleasure, colors a seaside landscape with people gathered along the shore.
Raoul Dufy, La Méditerranée, 1923 Huile sur toile, 129 x 110 cm © wikiart.org
Raoul Dufy, , 1926 Huile sur toile, 54 x 65 cm © wikiart.org
Dufy’s compositions are dreamlike and nostalgic, transporting the viewer through childlike scenes depicting interiors and the French landscape. While considered a master in the fauvist artistic style, his creations morphed into elegant constrained compositions depicting gatherings, boats, and architecture along the Riviera in the 1920s.Â
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La MĂ©diterranĂ©e and L’HĂ´tel Sube Ă Saint-Tropez are colorful interpretations of the way yellow and orange architecture contrasts the deep blue Mediterranean Sea.Â
Marc Chagall, La vie, 1964 Huile sur toile, 296 x 406 cm © Fondation Maeght
Chagall’s work is instantly identifiable in churches and on opera house ceilings – in stained glass windows and murals showing abstract interpretations of human life.
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Like many creatives at this time, he was a patron of the hotel La Colombe d’Or in Saint-Paul-de-Vence, and became closely acquainted with the Maeght sisters. They would later enlist him to design the Maeght Foundation, France’s first independent artistic hub of its kind. La Vie, commissioned for the occasion, can be enjoyed permanently at the Foundation on the Riviera, as a hallmark example of Chagall’s vision of joy, connection and color.
The South of France is a dream escape we wish we could pack in our valises (suitcases) – commanding the southern light and seawater to follow us back home. Instead, we return with souvenirs that remind us of the history lining villages and the seashore.
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The My French Country Home Boutique offers antique paintings depicting the southern landscape and remind us of why we return so often. For those who feel inspired to bring the Riviera home, all MFCH paintings are duty free.
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